Time, Guilt and Redemption in Christopher Nolan’s Oppenheimer

This essay is the attempt at a deeper understanding of Christopher Nolan’s Oppenheimer. Beginning with the analysis of the filmographic techniques Nolan utilizes in the film, we will follow the clues that lead us to a better understanding of the conflict between the protagonist J. Robert Oppenheimer and his antagonist Lewis Strauss. Establishing context with Oppenheimer’s spiritual precursor Tenet, we will take a closer look … Continue reading Time, Guilt and Redemption in Christopher Nolan’s Oppenheimer