This is part 2 of an essay-series about Christopher Nolan’s highly acclaimed Dark Knight Trilogy. The following is a standalone-article that can be read without the context of the other parts. For the sake of the best understanding of the matter, I strongly suggest you read part 1 about Batman Begins first. After Batman Begins redefined the perception of what levels of quality and depth … Continue reading The Psychology of the Shadow, Part 2: The Dark Knight

Christopher Nolan’s Dark Knight Trilogy has been justly praised for countless reasons. The psychological construction of the protagonist raised the Batman from a mere comic figure to a relatable hero of stature. The quality of the acting, screenplay, production design and especially Hans Zimmer’s soundtrack have elevated this trilogy into the ranks of modern cinema’s all-time classics. But there is one reason for praise that … Continue reading The Psychology of the Shadow, Part 1: Batman Begins